BIOGRAPHY
ORCHESTRA
CHIEF CONDUCTORS
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Tõnu Kaljuste
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Juha Kangas
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Risto Joost
Orchestra
Tõnu Kaljuste was the orchestra’s first chief conductor in 1993–1995, 1996–2001 and 2019-2024. Juha Kangas collaborated with the orchestra as the chief conductor in 1995–1996 and an artistic adviser in 2001–2003. The following decade was curated by Tallinn Philharmonic Society’s artistic director Eri Klas. In 2013–2019 the chief conductor of TCO was Risto Joost.
Biography
Tallinn Chamber Orchestra (TCO) was founded in 1993 by conductor Tõnu Kaljuste. During the past three decades it has become one of Estonia’s signature orchestras and a welcome guest performer on numerous stages in Europe and all over the world.
TCO has gained recognition for its artistically integral programmes, style-sensitive play and mastery of interpretation. The diverse repertoire of the orchestra includes music from the Baroque, Classical and Romantic era; an important part is also held by the musical works of the composers of 20th and 21st century, including less known pieces and premieres. TCO’s musicians are highly rated string players, who also regularly perform as soloists and chamber musicians.
Tallinn Chamber Orchestra has a long-standing cooperation with the Estonian Philharmonic Chamber Choir – joint performances and recordings have gained international fame and recognition for both parties. In 1993, conducted by Tõnu Kaljuste they recorded Arvo Pärt’s Te Deum for the ECM record company. The record earned high ratings from the world’s leading music critics and remained for months in the top ten of record sales. Under the label of ECM, numerous other records have been released, such as Arvo Pärt’s Litany, In Principio, Tractus and Adam’s Lament; also Erkki-Sven Tüür’s Crystallisatio, Veljo Tormis Reminiscentiae and Heino Eller’s Neenia.
Tallinn Chamber Orchestra has also recorded music for Warner Music / Finlandia Records, Carus Verlad, Ondine etc. In 2014, the orchestra released a record with Joseph Haydn’s work (soloist Silver Ainomäe, conductor Risto Joost).
In 2017, the record company Ondine released Tõnu Kõrvits’s CD Lageda laulud (Moorland Elegies) where the music was performed by Estonian Philharmonic Chamber Choir and Tallinn Chamber Orchestra – the record was awarded the Classics Album of the Year at Estonian Music Awards 2018.
Tõnu Kaljuste was the orchestra’s first chief conductor in 1993–1995, 1996–2001 and 2019–2024. Juha Kangas collaborated with the orchestra as the chief conductor in 1995–1996 and an artistic adviser in 2001–2003. The following decade was curated by Tallinn Philharmonic Society’s artistic director Eri Klas. In 2013–2019 the chief conductor of TCO was Risto Joost.
As guest conductors, the following highly rated professionals have collaborated with TCO: John Storgårds, Pietari Inkinen, Okko Kamu, Jaakko Kuusisto, Richard Tognetti, Terje Tonnesen, Daniel Raiskin, Alexander Rudin, Florian Donderer, Dmitri Sitkovetski, Kolja Blacher, Peter Spissky, Maxim Rysanov, Andrew-Lawrence King, Dmitri Sinkovski; also, acknowledged Estonian conductors like Olari Elts, Paul Mägi, Arvo Volmer, Neeme Järvi, Kristjan Järvi, Vello Pähn, Jüri Alperten, Mihkel Kütson, Anu Tali, Mihhail Gerts, Kristiina Poska and many others.
TCO has performed in many prestigious music festivals such as festival of Bach’s cantatas in Milan (Italy, 1996, 1997); Musikfest Bremen (Germany, 1998); MITO SettembreMusica (Milan/Turin, 2004, 2007, 2017, 2021, 2023), the Budapest Autumn Festival (2005), Kaustinen Chamber Music Week (Finland, 2005); Festival Arturo Benedetti Michelangeli (Italy, 2007), Musiikkia! (Finland, 2012); Festival Cervantino (Mexico, 2012), Vale of Glamorgan Festival (Wales, 2015), MDR Musiksommer (Germany 2017); Euphonie (Poland, 2018) etc.
Concert tours have taken the orchestra to the USA, Canada, Japan, China, Brazil, Argentina, Mexico, and most European countries. Next to the famous concert halls in Europe, TCO has also performed in Carnegie Hall, New York City and the Forbidden City Concert Hall in Beijing.
In 2013, Tallinn Chamber Orchestra received the Estonia Music Council’s Prize for Interpretation. TCO is one of performers on Arvo Pärt’s record Adam’s Lament for which the conductor Tõnu Kaljuste received Grammy in 2014.

I VIOLIN

HARRY TRAKSMANN
Leader of the TCO

ROBERT TRAKSMANN
Leader of the TCO

OLGA VORONOVA
Associated principal of the TCO

HELEN VÄSTRIK

YANA MÄGILA

FRED HEINOJA

KATRIN MATVEUS
II VIOLIN

ELO TEPP
Principal

MARI TARGO

ANETE AINSAAR

EVA-MARIA SUMERA

EVA-MAARJA FORSLUND
VIOLA

LAUR EENSALU
Principal

JOOSEP AHUN

MART KUUSMA

MERIKE HEIDELBERG

HELEN LING
On parental leave
CELLO

LEHO KARIN
Principal

SILUAN HIRVOJA

ANDRES ALEXANDER METSPALU
DOUBLE BASS

ANDRES KUNGLA
Principal

MICHELE BONFANTE
Tõnu Kaljuste, chief conductor 1993–1995, 1996–2001, 2019–2024
Tõnu Kaljuste is the conscience of Estonian
music life – an outstanding thinker and a
promoter whose ideas and actions are relevant
and visible in society. In 1993, he succeeded
in a seemingly impossible endeavour that
many had tried and failed. He gathered the
best of Tallinn’s young string players and
founded Estonia’s first professional string
orchestra – the Tallinn Chamber Orchestra.
The orchestra was invited to partner with
the Estonian Philharmonic Chamber Choir,
created in 1981, to jointly perform large-scale
musical compositions. Through bringing world-
renowned conductors and string experts to
the orchestra, Tõnu Kaljuste has created an
Estonian signature orchestra with a distinct
sonic identity and that inexplicable something
that unites the players as one without turning
them into an anonymous mass.
Tõnu Kaljuste is a charismatic conductor. His
interesting and original musical approach
inspires the players. Musicians hold him in
high regard for his vivid imagination and
an extraordinary talent for creating concert
programmes. He never gives the same concert
twice, something is always different. It puts
the musicians under slight pressure while
bringing excitement to both the players and
the conductor.

Juha Kangas, chief conductor 1995-1996
The sound of the Tallinn Chamber Orchestra has been influenced by conductor Juha Kangas, whom Tõnu Kaljuste invited to work with the orchestra. Kangas was the chief conductor from 1995 to 1996 and an artistic advisor from 2001 to 2003. Even now joint concerts are in program every season.
Juha Kangas is consistent in his work and expectations. He has a very clear vision of the sound the orchestra should attain. As the chief conductor, he varied the repertoire to encourage the orchestra to learn the playing techniques of different eras and to find diverse timbres and modes of expression. In the beginning, the cooperation was difficult and the work cycle rather tense as Juha Kangas was very demanding and the newly created orchestra could not implement his wishes fast enough. Yet, many years later, pianist and conductor Ralf Gothóni said he could feel that Juha Kangas had put considerable effort into this orchestra.

Risto Joost, chief conductor 2013-2019
Risto Joost becoming the chief conductor of the orchestra in 2013 was a long-awaited event for an orchestra that had operated without a chief conductor for the past ten seasons. Upon taking office, Joost focused on making the chamber orchestra’s concert seasons distinctive, exciting for the audience and developmental for the orchestra. During this period, the orchestra grew to a full-sized orchestra.
Both the Tallinn Chamber Orchestra and Risto Joost have often been described as energetic. Risto Joost is characterised by brilliant creative ideas, good taste, a tireless work ethic and being demanding towards himself and his colleagues. He is also well-known for commissioning new compositions from and interpreting the works of Estonian composers. It was his initiative to commission a three-part cycle from Tõnu Kõrvits for the Tallinn Chamber Orchestra and the Estonian Philharmonic Chamber Choir. This led to the creation and recording of three great works: “Moorland Elegies”, “You are Light and Morning” and “The Sound of Wings”.
The concert series “Omnipotent” was born, in which the concerts experimented with both the
programme and the forms of performance. Works such as John Cage’s “4’33” and “Water Walk”, Schönberg’s “Ode to Napoleon Buonaparte”, Steve Reich’s “Clapping Music”, George Crumb’s “Black Angels”, as well as the new works by Kristjan Kõrver and Ülo Krigul were performed.
